
Ivory Coast, West Africa · Nafana Tribe
Bedu Mask
Piece #M006 · Year Made: 1962
$3,795
Shipping individually quoted
Origin
Ivory Coast, West Africa
Period
Mid-20th Century
Medium
Hand Carved Wood
Length
18"
Width
4"
Height
75"
Details & Materials
York's Shona Gallery presents the "Bedu Mask" by the Nafana tribe of the Ivory Coast. A large round disc, cut through with a cross and crescent shapes, rises on a long neck above a small face. The mask is vividly painted in traditional white, black and red.
The mask exemplifies the vitality and grandeur of Nafana artistry. The colorful history is reflected in the annual performance of the Bedu masquerade, for which the mask was created.
The Bedu masquerade is an artistic phenomenon of the 20th century. It was introduced in the 1920’s by Nafana artists to replace a more ancient masking cult called Sakarabounhou. The positive nature of the Bedu and the ease with which it can be understood have allowed it to transcend both ethnic and religious barriers. Since its introduction, the Bedu Masquerade has been adopted by multiple ethnic groups in the east central Ivory Coast and neighboring Ghana, among them the Kulango and Degha.
Furthermore, while Bedu is controlled by persons of traditional African religious belief, it is accepted and even practiced by some Muslims, demonstrating that Islam and traditional Africa are not always incompatible.
Bedu masqueraders perform for annual month-long ceremonies called Zaurau as well as at funerals for important elders. During these festivals, which usually occur in late November and December, Bedu masks are used to address issues of human survival, including fertility, healing, and protection of the village from both natural and social crisis. Each night of the festival, the masks emerge from the forest and enter the dance arena in male/female pairs clad in long raffia gowns. While male Bedu masks have been described as having horns, female masks have a round, disc-like superstructure.
The male/female dualism is nevertheless important, both in the mask’s symbolism and in the performance. The Bedu performance helps to stress the importance of community and praise the traditional roles of men and women and the virtue of strong families, while serving to reassert time-honored Nafana values in a new and embattled political and social climate.
- Condition: Excellent, not previously owned, undamaged
- Sourcing: Fair Trade
- Certificate of Authenticity: Available Upon Request
- Provenance Report: Available Upon Request
Shipping
Buy now and leave the shipping to us. At checkout you pay for the piece plus a shipping deposit. We then plan the packing for your piece and email you the remaining shipping balance. This applies to both domestic and international orders. Every shipment is tracked, and most deliveries need a signature.
- Domestic: 5-8 business days
- International: 10-14 business days
- White-glove delivery available on request
Care & Placement
Dust with a soft, dry cloth. Keep it out of direct sunlight, away from radiators, dampness, and any sudden change of temperature. Do not place in extremely cold areas. It is light enough to hang on a few nails
Origin
Ivory Coast
West Africa
"When I was first exposed to African art, I felt a deep connection to it. It is hard to explain. It resonates with me spiritually."
Michael, Founder
York's Shona Gallery was the first in New York City to bring African sculpture to American collectors. Every piece in our collection is acquired directly, ensuring authenticity and fair exchange with the artists and communities who create them.



About the Tribe
Nafana Tribe
Mask
The Nafana Tribe is a Senufo-related group who, according to oral traditions, migrated east sometime in the seventeenth century in search of fabled gold deposits, eventually settling in a region that now borders the Ivory Coast and Ghana. Their strategic location along the trade routes extending between the Asante kingdom in the southern zone and the Saharan cultures of the northern desert led to an uninterrupted and prosperous exchange of goods, ideas, and institutions.
Time in the Nafana world is governed by the rotation of two calendars- a cycle of six days that rotates against a cycle of seven days, creating a 42-day calendric cycle. A similar calendar governs the passage of time in the Akan world. As among the Akan, certain conjunctions between and six and seven day cycles are considered particularly auspicious for ritual activity, while others bode less well for specific ventures.
Nafana identity is defined by a variety of cultural practices. Their language is chief among them. Additionally, rites of passage, marriage ceremonies, state ceremonies, and their artworks. Nafana artworks convey a connection to the Burkina traditions of contrasting colors and geometric patterns. They are also are known for their huge and ornate vertical plank masks.
In your home
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Surfaces
Pedestal
Styled with and outdoors
Rooms
The Tradition
Masks of Africa
An African mask is made to be worn and danced. With a costume, music and movement, the carved face becomes a spirit or an ancestor, present for a time among the living.
- Worn at
- Funerals, harvests and initiations
- Made from
- Wood, often with paint, clay, fiber, cloth, shells or metal
- Made for
- Ceremony, dance and storytelling



Some masks in our collection
Burkina Faso
Mossi
Tall masks with an antelope face and a plank above, tied to a clan and its founding animal
Burkina Faso
Bwa
Painted plank masks that show flying spirits, danced at funerals, harvests and initiations
Mali
Dogon
Danced at the dama, the ceremony that ends mourning and guides the dead to become ancestors
Gabon and Cameroon
Fang
Long pale faces made for the ngil society, which once acted as police and judges
Liberia and Ivory Coast
Dan
Masks that give form to forest spirits, with each performer called to his mask in a dream
Ivory Coast
Guro
Finely carved faces, often crowned with horns or a crest
Gabon and Congo
Kwele
Heart shaped faces with narrow eyes, carved to bring well being to the village
Ivory Coast and Ghana
Nafana
Large painted Bedu plank masks, danced during the Bedu festival







