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Denny Kanyemba was born in 1965 and developed his practice at Tengenenge, the sculptural community that became one of the most important incubators of Zimbabwean stone-carving in the post-independence

Agrippa Ndongwe was born in 1958 in Harare and began carving stone in the early 1980s, as the Shona sculptural movement was entering its second phase of international recognition. He came to the craft

Damian Manuhwa was born in 1972 in Harare, a generation removed from the Workshop School artists who founded the Shona sculptural movement. Coming of age in post-independence Zimbabwe, he encountered

Joseph Tozo was born in 1960 and came of age at Tengenenge — the extraordinary sculptural community in Mashonaland Central that Tom Blomefield established in the late 1960s on his former tobacco farm.

Pfungwa Dziike was born in 1975 in Harare and began sculpting in the late 1990s, studying under established Shona artists before finding his own formal language. The name Pfungwa — meaning ‘thoughts’