Kenya, East Africa · Masaai Tribe

Masaai Tribe

Piece #S061 · Year Made: 1987

$950

Shipping individually quoted

Origin

Kenya, East Africa

Period

Late 20th Century

Medium

Hand Carved Ebony Wood

Length

4"

Width

4"

Height

9"

Details & Materials

"Masaai Tribe" is a portrait that grew its own frame. The elder's face is carved into the dark heartwood of the ebony, and the pale sapwood of the same uncut block is left standing around it, so the portrait and its frame share one piece of wood. The carving renders every feature in fine detail, capturing the dignity of a respected elder in the Masaai community.

The Masaai are a semi-nomadic people of Kenya and northern Tanzania who hold family above all, and much of their art depicts family members supporting one another.

  • Condition: Excellent, not previously owned, undamaged
  • Sourcing: Fair Trade
  • Certificate of Authenticity: Available Upon Request
  • Provenance Report: Available Upon Request
Shipping

Buy now and leave the shipping to us. At checkout you pay for the piece plus a shipping deposit. We then plan the packing for your piece and email you the remaining shipping balance. This applies to both domestic and international orders. Every shipment is tracked, and most deliveries need a signature.

  • Domestic: 5-8 business days
  • International: 10-14 business days
  • White-glove delivery available on request
Care & Placement

Dust with a soft, dry cloth. Keep away from radiators, direct sunlight, dampness, and any sudden change of temperature. Do not place in extremely cold areas.

Place the piece on a level surface

Authenticity guaranteed, every piece verified
Packed and shipped by our team, insured and tracked
New York City gallery, est. 1983

Origin

Kenya

East Africa

"When I was first exposed to African art, I felt a deep connection to it. It is hard to explain. It resonates with me spiritually."

Michael, Founder

York's Shona Gallery was the first in New York City to bring African sculpture to American collectors. Every piece in our collection is acquired directly, ensuring authenticity and fair exchange with the artists and communities who create them.

Masaai
Masaai
Masaai

About the Tribe

Masaai

Masaai

Wood Sculpture

The Masaai are vastly talented in artworks: from decorative beaded jewelry to clay carvings to wooden figures, the Masaai gift the world with some of the most powerful art in Africa. They excel especially in wood carvings, providing very detailed work with a skillful hand in woods that are known to be very hard to work with.

The Masaai are known for their color brightly colored reds, blues and purples of their Shúka--sheets worn wrapped around the body, one over each shoulder, then a third over the top of them. They stand out vividly against the landscape, whether in small mud-thatched villages, more modern towns or the vast open spaces on which they continue to graze their cattle, as they have for more than 500 years.

By the mid-19th century, the Masaai people had become as well known for their strength as warriors, using spears, shields and clubs that could be thrown accurately from up to 70 paces, as they were for their cattle-herding.

The Masaai culture is known for its music and dance, in which a leader, known as the olaranyani, sings the melody while others sing polyphonic harmony on call-and-response vocals and make guttural throat-singing sounds to provide rhythmic syncopation. The warriors’ coming of age ceremony, known as eunoto, can involve 10+ days of singing, dancing and ritual, including the competitive jumping for which the Masaai are perhaps best known.

Problems between the Masaai tribe and the government date back more than 100 years, to treaties with the British reduced Masaai land in Kenya by 60% to make room for ranches for colonial settlers. In the 1940s, Tanzanian pastoralists were displaced from the fertile lands around Mount Meru, Mount Kilimanjaro and the Ngorongoro Crater. Much of the land taken from the Masaai was used to create many of the world’s most famous wildlife reserves and national parks, including Kenya’s Amboseli, Masai Mara, Samburu and Tsavo and Tanzania’s Lake Manyara, Ngorongoro, Tarangire and Serengeti.

The Masaai people are monotheistic, and their God is named Engai or Enkai. For Masaai people living a traditional way of life, the end of life is virtually without a formal funeral ceremony, and the dead are left out in the fields for scavengers. Burial has in the past been reserved for great chiefs only, since it is believed by the Masaai that burial is harmful to the soil.

A man who has plenty of cattle but not many children is considered to be poor. A Masaai myth says that God afforded them all the cattle on earth, resulting in the belief that rustling from other tribes is a matter of claiming what is rightfully theirs, a practice that has now become much less common.

View all Masaai pieces

The Tradition

Ebony Wood

Ebony wood is one of the most valuable, rare, and expensive types of wood in the world; prized for its dark core.

Ebony trees (Diospyros) are generally small and slow growing. The Greek name for ebony is Diospyros meaning 'fruit of the gods' and this wood is famous for its dark beauty and opulence. Because of its high density, texture, and waxiness, it is ideal for the production of fine artwork.

Ebony carving skills are typically passed from one generation to the next; and Kenyans are increasingly spending their time away from artisan crafts and working in industries such as tourism. Additionally, sourcing ebony wood is almost impossible because of its rarity. We are proud to be one of the very few galleries in the United States with pieces made of pure ebony touched by the masters of ebony, the Kenyan peoples.

Currently, worldwide demand for ebony wood is at an all-time high while supply is at an all-time low. A factor that influences rarity is darkness: the darker the color of the ebony, the more valuable it is. Today, artworks from light brown-brown ebony trees (harvested at 50 years old) are being produced. However, darker woods, also known as “pure ebony” (that look black at first glance) have become increasingly hard for collectors to acquire.

York’s Shona Gallery is one of the only African galleries with such dark ebony in the United States.

Grows
Slowly, over many decades
Color
Near black heart, pale outer wood
Made
By hand, from a single block
In the wild
Endangered
A cut ebony log, its black heart ringed by pale outer wood
A carver kneeling beside a tall carving of intertwined figures
Two ebony logs showing their dark cores

Inside an ebony log

Heartwood

The near black center of the log, the part most prized for carving

Outer wood

The pale layer under the bark, often left on the base as a contrast to the dark figure

View all ebony wood