Zimbabwe, Southern Africa · Fungai Mwarowa

Bunny

Piece #S020 · Year Made: 1994

$3,420

Shipping individually quoted

Origin

Zimbabwe, Southern Africa

Period

Late 20th Century

Medium

Hand Carved Lapidolite Stone

Length

7"

Width

8"

Height

9"

Details & Materials

Lepidolite is a stone most carvers leave alone, known for how difficult it is to work, and "Bunny" is one of the very few sculptures in the Shona repertoire made from it. Fungai Mwarowa has said that no stone holds a barrier for him, and he spends that talent on imaginative creatures with something human about them.

This one sits back with its ears fanned wide and its paws drawn up, a single round eye set calmly in the middle of it all. The stone is a deep violet gray, dusted with pale flecks that catch the light.

At 9 inches tall, 8 inches wide and 7 inches deep, it holds a shelf or a tabletop without crowding it. There is only one.

  • Condition: Excellent, not previously owned, undamaged
  • Sourcing: Fair Trade
  • Certificate of Authenticity: Available Upon Request
  • Provenance Report: Available Upon Request
Shipping

Buy now and leave the shipping to us. At checkout you pay for the piece plus a shipping deposit. We then plan the packing for your piece and email you the remaining shipping balance. This applies to both domestic and international orders. Every shipment is tracked, and most deliveries need a signature.

  • Domestic: 5-8 business days
  • International: 10-14 business days
  • White-glove delivery available on request
Care & Placement

Dust with a soft, dry brush rather than a cloth. Lapidolite is layered and soft, and a cloth can catch and lift a flake from the surface.

Keep it indoors on a solid, level surface, away from damp and out of direct sunlight

Authenticity guaranteed, every piece verified
Packed and shipped by our team, insured and tracked
New York City gallery, est. 1983

Origin

Zimbabwe

Southern Africa

"When I was first exposed to African art, I felt a deep connection to it. It is hard to explain. It resonates with me spiritually."

Michael, Founder

York's Shona Gallery was the first in New York City to bring African sculpture to American collectors. Every piece in our collection is acquired directly, ensuring authenticity and fair exchange with the artists and communities who create them.

About the Artist

Fungai Mwarowa

Stone Sculpture

Fungai was born on August 29, 1969 at Biriwiri Mission Hospital in Chimanimani. His father was a plumber at the local forestry estate and his mother was a housewife. He completed his ‘O’ level at Mhakwe Secondary School, Chimanimani in 1987.

In 1990, Fungai began to sculpt under Joram Mariga, the father of Zimbabwean stone sculpture. It was through Mariga’s wife, Maude, that Fungai met Joram. Maude’s home town is Chimanimani, so one day whilst Joram was visiting her parents, she introduced him to Fungai.

For five years, Fungai apprenticed with Joram, learning all aspects of stone carving. Mariga is known for his passion to work in hard stone such as lepidolite, granite and leopard rock, therefore Mwarowa’s grounding was a solid one. Shortly after, during the International Granite Sculpture Workshop held at Chapungu, Mwarowa displayed to the world that he can sculpt even the hardest of stones.

In 1995, Mwarowa applied for residency at Chapungu and worked at the famous Chapungu National Park. It was not been easy for Mwarowa to break from the teaching and training he received from Mariga, his sculpture would more often than not bear certain resemblances to the distinctive Mariga style. A few more years into his career, however, was all it took to create works true to himself and reflective of his person: happy, cheerful and a little off-beat.

Stone holds no barriers for him, he can work on any stone no matter how hard. This skill is very revered and Mwarowa took advantage of the hard colored stones--producing fantastic imaginative creatures often imbued with human characteristics. His fascination for stone is obvious, as he enjoys making each new sculpture from a different stone.

View all pieces by Fungai Mwarowa

The Tradition

Shona Stone Sculpture

Shona sculpture is stone sculpture carved by hand in Zimbabwe, named after the Shona, the largest group of people in the country. The finest pieces keep the weight and stillness of the rock, while the figure within seems to rise out of it.

The sculptors work with the stone rather than against it, letting its shape, grain and color suggest what lies inside. Every piece is carved by hand. Many carvers leave part of the stone rough on purpose, so the raw rock sits right next to the polished surface.

Common subjects are the family, mothers and children, animals, and people turning into animals or spirits. Forms are simplified into symbols drawn from the beliefs and folklore of the Shona people, so a piece suggests its subject rather than copying it.

Working in stone runs deep in Zimbabwe. Between the 11th and 15th centuries, the ancestors of the Shona built a city of huge stone walls and towers, fitted so carefully that no cement was needed. They also carved tall birds from stone, and one of them is now on the country's flag. Zimbabwe takes its name from that city: in the Shona language, Zimbabwe means "house of stone."

The modern movement began in Harare in the late 1950s, when a new generation of sculptors joined this ancient skill with a modern, spiritual expression. Their work soon won international fame. In 1968, the Museum of Modern Art in New York City sent it on tour across the United States, and in 1971, the Musée Rodin in Paris gave it a major exhibition. London, Stockholm and the Royal Botanic Gardens at Kew followed.

Today Shona sculpture is recognized around the world as a major contemporary art movement. Newsweek called it "perhaps the most important new art form to emerge from Africa this century," and its admirers have included Pablo Picasso and Henry Moore. It is held in the collections of the British Museum and the Museum of Modern Art, and pieces have set record prices at auction. Collectors have included Richard Attenborough, and Zimbabwe's government has chosen it as a gift for visiting leaders. When Harare hosted the Non-Aligned Movement summit in 1986, a sculpture by Richard Mteki was presented to India's Prime Minister, Rajiv Gandhi.

York's Shona Gallery is proud to be the first gallery to exhibit Shona sculpture in the United States. We have shown Shona sculpture in New York City since 1983.

Where
Zimbabwe
Roots
An ancient stone city, 11th to 15th centuries
Began
Late 1950s in Harare, the capital of Zimbabwe
Stone
Spring stone, serpentine, lepidolite
Subjects
Family, spirits, animals, transformation
In collections
British Museum, Museum of Modern Art
Finish
Polished by hand, often left partly raw

Why Shona?

  • Suitable for indoor and outdoor environments, such as a garden or terrace
  • Durable and will not dull or erode
  • One of a kind pieces
  • Marked with artist’s signatures
  • Hand carved in Zimbabwe
Polished black stone sculptures in a garden in Zimbabwe
A Shona sculptor shaping a block of stone with a hammer
A tall Shona stone sculpture of two figures standing on a lawn

The stones we carry

Spring stone

Dense and very hard, it polishes to a deep, glassy black and weathers to pale grey where it is left raw

Serpentine

The most varied of Zimbabwe's stones, from olive green and brown to pink, rust and almost black, often within a single block

Lepidolite

A softer stone in shades of lilac and violet that glints in the light, prized for its rare color

View all stone sculpture

Animals in African Art

The Significance of Animals

In African art an animal is rarely just an animal. It can stand for a king, a clan, an ancestor or a lesson, and its meaning changes from one people to the next.

Many families trace their roots to an animal. Among the Shona of Zimbabwe, every clan has its own animal, such as the lion or the elephant, and people do not eat the animal of their clan out of reverence.

Animals also carry power. In the Benin Kingdom, the king is known as the leopard of the house, and leopards were once kept at the royal palace. In Cameroon, the elephant stands for the power of chiefs. In Mali, carved antelopes celebrate farming and the people who work the land.

Animals are also used to teach lessons. In Ghana, children grow up with stories of Anansi, a clever spider whose adventures teach right from wrong.

Hundreds of years ago, carvers in Zimbabwe made tall birds out of stone. Today one of those birds is the symbol of the country and appears on its flag. Shona sculptors often carve animals, and figures that are part person and part animal.

Stands for
Power, family, and a good harvest
Teaches
Right from wrong
Seen in
Masks, brass figures, stone and wood sculpture
Ancient rock engravings of giraffes and a human figure
Two people walking toward a herd of elephants
A black panther resting on a tree branch

Animal symbols

Nigeria

Leopard

A symbol of the king

Cameroon

Elephant

A symbol of power

Mali

Antelope

A symbol of farming and a good harvest

Zimbabwe

Lion

A family symbol for many Shona clans