Zimbabwe, Southern Africa · Tinashe Makaza

Couple

Piece #S006 · Year Made: 1990

$8,995

Shipping individually quoted

Origin

Zimbabwe, Southern Africa

Period

Late 20th Century

Medium

Hand Carved Spring Stone

Length

12"

Width

6"

Height

36"

Details & Materials

"Couple" is a piece about leaning on someone. Two figures share one rough base, heads bowed low, bodies curved into each other until the space between them closes into a single arch.

Tinashe Makaza carved the pair from one block of natural spring stone, leaving the bodies textured and raw while the bowed heads are polished dark and smooth, so the eye moves between the two finishes the way it moves between the two figures. The color shifts across the piece as it does through any single block of spring stone, from pale gray to near black.

At three feet tall it is at home indoors or out, and rain and snow leave it unchanged.

  • Condition: Excellent, not previously owned, undamaged
  • Sourcing: Fair Trade
  • Certificate of Authenticity: Available Upon Request
  • Provenance Report: Available Upon Request
Shipping

Buy now and leave the shipping to us. At checkout you pay for the piece plus a shipping deposit. We then plan the packing for your piece and email you the remaining shipping balance. This applies to both domestic and international orders. Every shipment is tracked, and most deliveries need a signature.

  • Domestic: 5-8 business days
  • International: 10-14 business days
  • White-glove delivery available on request
Care & Placement

Dust with a soft, dry cloth.

Can be placed indoors or outdoors; weather will not damage it. Place on a solid, level surface or pedestal

Authenticity guaranteed, every piece verified
Packed and shipped by our team, insured and tracked
New York City gallery, est. 1983

Origin

Zimbabwe

Southern Africa

"When I was first exposed to African art, I felt a deep connection to it. It is hard to explain. It resonates with me spiritually."

Michael, Founder

York's Shona Gallery was the first in New York City to bring African sculpture to American collectors. Every piece in our collection is acquired directly, ensuring authenticity and fair exchange with the artists and communities who create them.

About the Artist

Tinashe Makaza

Stone Sculpture

Tinashe was born in 1972 in the Guruve district, which is situated in the Northwest of Zimbabwe. He was the fourth born child in a family of seven and is from the Shona tribe.

Makaza was instantly drawn to the brightly coloured sculpture and was soon creating his own pieces. It was not long before his works attracted the eye of the late Brighton Sango, one of Zimbabwe’s leading second generation sculptors, who apart from doing his own sculpture was also running a small gallery dedicated to helping younger, less established sculptors. Tinashe received a lot of encouragement from Sango and still draws on it today, whenever he feels his commitment weaken. Many sculptors in the region thought that Tinashe was possessed by “art Spirits” because his works were so creative and highly commended by Sango.

Makaza's work is very influenced by his natural surroundings, his sculpture reflecting the organic shapes found in mountains, clouds or flowers, his volumetric forms indicate a keen sense of awareness of his environment, he is not copying nature but merely studying it. He is now a full time sculptor having been sculpting for eight years and supporting himself from the sale f his works. As far as his influences are concerned, apart from nature he admires the work of Bernard Matamera and the late Gladman Zinyeka.

Makaza has been working with Chapungu Sculpture Park and is presently under contract with them for a year, where Chapungu will do their utmost to promote and display his works overseas and in all their exhibitions.

Makaza learned the basics of stone carving with Boira Mteki and assisted him for a six-month period – still recalling the first sculpture he assisted on, a sitting chameleon from green serpentine. He has also assisted Agnes Nyanhongo, Arthur Fata, Cosmas Muchenje and Garrison Machinjili.

View all pieces by Tinashe Makaza

The Tradition

Shona Stone Sculpture

Shona sculpture is stone sculpture carved by hand in Zimbabwe, named after the Shona, the largest group of people in the country. The finest pieces keep the weight and stillness of the rock, while the figure within seems to rise out of it.

The sculptors work with the stone rather than against it, letting its shape, grain and color suggest what lies inside. Every piece is carved by hand. Many carvers leave part of the stone rough on purpose, so the raw rock sits right next to the polished surface.

Common subjects are the family, mothers and children, animals, and people turning into animals or spirits. Forms are simplified into symbols drawn from the beliefs and folklore of the Shona people, so a piece suggests its subject rather than copying it.

Working in stone runs deep in Zimbabwe. Between the 11th and 15th centuries, the ancestors of the Shona built a city of huge stone walls and towers, fitted so carefully that no cement was needed. They also carved tall birds from stone, and one of them is now on the country's flag. Zimbabwe takes its name from that city: in the Shona language, Zimbabwe means "house of stone."

The modern movement began in Harare in the late 1950s, when a new generation of sculptors joined this ancient skill with a modern, spiritual expression. Their work soon won international fame. In 1968, the Museum of Modern Art in New York City sent it on tour across the United States, and in 1971, the Musée Rodin in Paris gave it a major exhibition. London, Stockholm and the Royal Botanic Gardens at Kew followed.

Today Shona sculpture is recognized around the world as a major contemporary art movement. Newsweek called it "perhaps the most important new art form to emerge from Africa this century," and its admirers have included Pablo Picasso and Henry Moore. It is held in the collections of the British Museum and the Museum of Modern Art, and pieces have set record prices at auction. Collectors have included Richard Attenborough, and Zimbabwe's government has chosen it as a gift for visiting leaders. When Harare hosted the Non-Aligned Movement summit in 1986, a sculpture by Richard Mteki was presented to India's Prime Minister, Rajiv Gandhi.

York's Shona Gallery is proud to be the first gallery to exhibit Shona sculpture in the United States. We have shown Shona sculpture in New York City since 1983.

Where
Zimbabwe
Roots
An ancient stone city, 11th to 15th centuries
Began
Late 1950s in Harare, the capital of Zimbabwe
Stone
Spring stone, serpentine, lepidolite
Subjects
Family, spirits, animals, transformation
In collections
British Museum, Museum of Modern Art
Finish
Polished by hand, often left partly raw

Why Shona?

  • Suitable for indoor and outdoor environments, such as a garden or terrace
  • Durable and will not dull or erode
  • One of a kind pieces
  • Marked with artist’s signatures
  • Hand carved in Zimbabwe
Polished black stone sculptures in a garden in Zimbabwe
A Shona sculptor shaping a block of stone with a hammer
A tall Shona stone sculpture of two figures standing on a lawn

The stones we carry

Spring stone

Dense and very hard, it polishes to a deep, glassy black and weathers to pale grey where it is left raw

Serpentine

The most varied of Zimbabwe's stones, from olive green and brown to pink, rust and almost black, often within a single block

Lepidolite

A softer stone in shades of lilac and violet that glints in the light, prized for its rare color

View all stone sculpture

Animals in African Art

The Significance of Animals

In African art an animal is rarely just an animal. It can stand for a king, a clan, an ancestor or a lesson, and its meaning changes from one people to the next.

Many families trace their roots to an animal. Among the Shona of Zimbabwe, every clan has its own animal, such as the lion or the elephant, and people do not eat the animal of their clan out of reverence.

Animals also carry power. In the Benin Kingdom, the king is known as the leopard of the house, and leopards were once kept at the royal palace. In Cameroon, the elephant stands for the power of chiefs. In Mali, carved antelopes celebrate farming and the people who work the land.

Animals are also used to teach lessons. In Ghana, children grow up with stories of Anansi, a clever spider whose adventures teach right from wrong.

Hundreds of years ago, carvers in Zimbabwe made tall birds out of stone. Today one of those birds is the symbol of the country and appears on its flag. Shona sculptors often carve animals, and figures that are part person and part animal.

Stands for
Power, family, and a good harvest
Teaches
Right from wrong
Seen in
Masks, brass figures, stone and wood sculpture
Ancient rock engravings of giraffes and a human figure
Two people walking toward a herd of elephants
A black panther resting on a tree branch

Animal symbols

Nigeria

Leopard

A symbol of the king

Cameroon

Elephant

A symbol of power

Mali

Antelope

A symbol of farming and a good harvest

Zimbabwe

Lion

A family symbol for many Shona clans