Zimbabwe, Southern Africa · Lincon Muteta

Lonely

Piece #S002 · Year Made: 1990

$2,900

Shipping individually quoted

Origin

Zimbabwe, Southern Africa

Period

Late 20th Century

Medium

Hand Carved Spring Stone

Length

8"

Width

7"

Height

21"

Details & Materials

A single green head, polished to glass, rests on dark shoulders at the top of this piece, and everything beneath it is raw: 21 inches of rough brown stone surrounding one small, quiet figure. The subject is solitude, and the proportions do the telling.

Lincon Muteta builds his work from the day to day life around him in Chitungwiza, and the faces in his sculptures carry the joys and the sadness of his neighbors. Asked why he sculpts, Muteta puts it plainly: "I guess God gave me the courage and talent to sculpt to bring back our vanishing cultural heritage for the sake of future generations."

  • Condition: Excellent, not previously owned, undamaged
  • Sourcing: Fair Trade
  • Certificate of Authenticity: Available Upon Request
  • Provenance Report: Available Upon Request
Shipping

Buy now and leave the shipping to us. At checkout you pay for the piece plus a shipping deposit. We then plan the packing for your piece and email you the remaining shipping balance. This applies to both domestic and international orders. Every shipment is tracked, and most deliveries need a signature.

  • Domestic: 5-8 business days
  • International: 10-14 business days
  • White-glove delivery available on request
Care & Placement

Dust with a soft, dry cloth.

Can be placed indoors or outdoors; weather will not damage it. Place on a solid, level surface or pedestal

Authenticity guaranteed, every piece verified
Packed and shipped by our team, insured and tracked
New York City gallery, est. 1983

Origin

Zimbabwe

Southern Africa

"When I was first exposed to African art, I felt a deep connection to it. It is hard to explain. It resonates with me spiritually."

Michael, Founder

York's Shona Gallery was the first in New York City to bring African sculpture to American collectors. Every piece in our collection is acquired directly, ensuring authenticity and fair exchange with the artists and communities who create them.

About the Artist

Lincon Muteta

Stone Sculpture

Lincon Muteta was born in 1975 in Harare, Zimbabwe. He is the youngest in a family of four. He originates from Mutoko and his totem is “Soko Muhrewa” (Monkey).

He went to secondary school at Morgan High School in Harare and he began sculpting in 1989 whilst still at school. He worked under the tutelage of Denny Kanyemba, another prominent Zimbabwean sculptor. He was encouraged to go solo and pursue sculpting as a full-time career by his mentor, the late Moses Masaya.

He has a great love for Shona culture and, coupled with his imaginative and innovative ability, has ensured that his work is of the highest standard. This has earned him a following from collectors around the world.

Muteta bases his work on day-to-day events that interest him, and the feelings and emotions of the people around him. The faces and gestures in his work reflect the joys and the sadness experienced by the sprawling population of the Chitungwisa suburb in which he lives.

Muteta has been instrumental in encouraging and teaching younger artists, several of whom are now pursuing solo careers. Muteta’s skills have also been appreciated in Zimbabwe, in particular by Roy Guthrie, the Director of Chapungu Sculpture Park where Muteta was a resident artist from 1996-1997.

When questioned on his motivation for sculpting Muteta states, “I guess God gave me the courage and talent to sculpt to bring back our vanishing cultural heritage for the sake of future generations.”

View all pieces by Lincon Muteta

The Tradition

Shona Stone Sculpture

Shona sculpture is stone sculpture carved by hand in Zimbabwe, named after the Shona, the largest group of people in the country. The finest pieces keep the weight and stillness of the rock, while the figure within seems to rise out of it.

The sculptors work with the stone rather than against it, letting its shape, grain and color suggest what lies inside. Every piece is carved by hand. Many carvers leave part of the stone rough on purpose, so the raw rock sits right next to the polished surface.

Common subjects are the family, mothers and children, animals, and people turning into animals or spirits. Forms are simplified into symbols drawn from the beliefs and folklore of the Shona people, so a piece suggests its subject rather than copying it.

Working in stone runs deep in Zimbabwe. Between the 11th and 15th centuries, the ancestors of the Shona built a city of huge stone walls and towers, fitted so carefully that no cement was needed. They also carved tall birds from stone, and one of them is now on the country's flag. Zimbabwe takes its name from that city: in the Shona language, Zimbabwe means "house of stone."

The modern movement began in Harare in the late 1950s, when a new generation of sculptors joined this ancient skill with a modern, spiritual expression. Their work soon won international fame. In 1968, the Museum of Modern Art in New York City sent it on tour across the United States, and in 1971, the Musée Rodin in Paris gave it a major exhibition. London, Stockholm and the Royal Botanic Gardens at Kew followed.

Today Shona sculpture is recognized around the world as a major contemporary art movement. Newsweek called it "perhaps the most important new art form to emerge from Africa this century," and its admirers have included Pablo Picasso and Henry Moore. It is held in the collections of the British Museum and the Museum of Modern Art, and pieces have set record prices at auction. Collectors have included Richard Attenborough, and Zimbabwe's government has chosen it as a gift for visiting leaders. When Harare hosted the Non-Aligned Movement summit in 1986, a sculpture by Richard Mteki was presented to India's Prime Minister, Rajiv Gandhi.

York's Shona Gallery is proud to be the first gallery to exhibit Shona sculpture in the United States. We have shown Shona sculpture in New York City since 1983.

Where
Zimbabwe
Roots
An ancient stone city, 11th to 15th centuries
Began
Late 1950s in Harare, the capital of Zimbabwe
Stone
Spring stone, serpentine, lepidolite
Subjects
Family, spirits, animals, transformation
In collections
British Museum, Museum of Modern Art
Finish
Polished by hand, often left partly raw

Why Shona?

  • Suitable for indoor and outdoor environments, such as a garden or terrace
  • Durable and will not dull or erode
  • One of a kind pieces
  • Marked with artist’s signatures
  • Hand carved in Zimbabwe
Polished black stone sculptures in a garden in Zimbabwe
A Shona sculptor shaping a block of stone with a hammer
A tall Shona stone sculpture of two figures standing on a lawn

The stones we carry

Spring stone

Dense and very hard, it polishes to a deep, glassy black and weathers to pale grey where it is left raw

Serpentine

The most varied of Zimbabwe's stones, from olive green and brown to pink, rust and almost black, often within a single block

Lepidolite

A softer stone in shades of lilac and violet that glints in the light, prized for its rare color

View all stone sculpture